The most frequent comment I hear is about the eyes of my subjects. Some people wonder what I’m doing to them (post-processing in Photoshop) and some people just think I’m obsessed with eyes. My answers to those questions are “nothing” and “perhaps.”
I think the way eyes are lit in a photo makes a big difference in the mood of the photo. And one thing I’ve always liked about natural lighting (if well done) is that the eyes tend to have a lot of light in them, so that the pupils are small and more of the iris shows. In studio, typically, the pupils are larger, because it is more dim in the studio than in a natural light studio. This leaves only a small rim of iris showing, and is the look most of us are accustomed to from school photos and traditional studio portraits, but not the way we generally see one another, thus some of the artificiality of studio lit portraits. “Artificial” can be cool and different, so I don’t mean that in a bad way.
In the natural light studio, I can position the person so that their eyes are literally filled with light. The effect is often dazzling, and I generally can’t help but comment on it. So, yeah, maybe I am a bit obsessed.
Anyway, here’s an example from a recent session with Jordan in which I’m sure people will think I’ve done something to alter or amplify the color of his eyes, and which I assure you I did nothing other than make use of the sweet light in the natural light studio.
Ah let me count the ways I love the natural light studio. First, the light is beautiful. Second, it is air conditioned.
